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donadrake:

Marlene Dietrich c. 1930’s

(via noir-soleil-deactivated20130310)

milstil:

When the girls dress like the boys x white tie and tails VIII. Marlene Dietrich understood men’s clothes better than most men. And style wise she was far ahead of her time. In a time in which women were more or less stuck to skirts and dresses, she started raiding the male wardrobe to add to her collection of dresses and gowns. She had her men’s tailors, shirtmakers and cobblers (she frequented quite a few) make her suits, blazers, sports coats, shirts and custom made trousers. But only Knize in Vienna and Eddie Schmidt in Hollywood made her many tails. Fun trivia: Dietrich’s starched shirt cuffs were directly attached with a hidden buttoned fastening in the sleeve of her dress suits. So she wore sleeveless shirts with her tailcoat, that allowed for quick costume changes and slimmer, more feminely cut jacket sleeves. And while costume jewelry was always worn with stage costumes, for Marlene’s favorite white tie and tails, the cuff links were always her own- from Cartier, Van Cleef & Arpels or Trabert & Hoeffer.

(via listenwithyourspirit)

kylarose:

Margo Lion and Marlene Dietrich in the revue, Es Liegt In Der Luft (1928)
bohemea:

Marlene Dietrich
errolivio:

Marlene Dietrich
sala66:

Marlene Dietrich

lucynic83:

The most perverse artist’s model picture would come late in the era - Song of Songs (1933) - in which Marlene Dietrich poses nude for sculptor Brian Aherne. Director Rouben Mamoulian couldn’t show the naked Dietrich, but he made up for it by shamelessly and repeatedly showing the nude sculpture. 
- Complicated Women 

(via mariedeflor)

jslermont:

The scarlet empress, Marlene Dietrich.
crazypluralworld:

CARY GRANT, MARLENE DIETRICHBLONDE VENUS (1932)